4/11/2023 0 Comments Psych blu ray box set![]() What transpires wouldn’t be out of place in a film like Sergio Corbucci’s Django.Īfter retribution has been assured, the film enters upon a more abstract phase. El Topo tracks down a dissolute Colonel (David Silva) behind the brutal massacre of an entire village. Despite plenty of bizarro flourishes, the first part of the film is its most conventional. Clad in a black leather ensemble inspired by Elvis Presley’s televised concert from 1968, Jodorowsky himself plays the eponymous gunslinger, first seen instructing his naked son (Brontis Jodorowsky) in the fine art of putting away childish things by burying them in the sand. Singlehandedly inaugurating the midnight-movie craze upon its release in 1970, El Topo combines the arid landscapes and ultraviolent showdowns of the Italian western with the dogged quest for spiritual illumination that’s at the heart of King Hu’s Touch of Zen. The more spiritual aspects in Jodorowsky’s works are almost always depicted through a symbolic death and rebirth, never more literally than in this film. ![]() It’s a critique that’s later deployed in a more succinctly surreal fashion with the image of woman in formal attire playing a piano that’s on fire. The former can be detected most obviously in a matched pair of flashbacks that illustrate the eponymous couple’s traumatic childhood experiences: Lis is assaulted by a gaggle of degenerate aristos, while Fando witnesses his mother’s fatal denunciation of his father as a political radical. The majority of the film consists of Fando (Sergio Kleiner) leading crippled Lis (Diana Mariscal), who’s largely confined to a pushcart, across a postapocalyptic landscape, seemingly populated by an endless parade of assorted grotesques, in search of the mythical city of Tar.Īs with most of Jodorowsky’s films, Fando y Lis fuses elements of broad social commentary and a deep concern for spiritual illumination. Working in Mexico in 1968, Jodorowsky filmed Arrabal’s deliriously dystopian play Fando y Lis using only a one-page script and his memory of the stage production. Their provocative public performances were part secular ritual, part intentional scandal, replete with copious nudity and blasphemous religious imagery (elements not entirely lacking in Jodorowsky’s later films). Maverick Chilean filmmaker Alejandro Jodorowsky first came to prominence in Paris in the 1960s, where he co-founded the Panic Movement, a performance art collective inspired by Antonin Artaud’s Theatre of Cruelty, alongside Fernando Arrabal and Roland Topor.
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